Town Hall

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The Town Hall is the starting point for the Millennium festival trail.

Chesters Town Hall is, together with the Cathedral one of the major landmarks of The City. It can be found halfway up Northgate Street. It is a beautiful building and nowadays is maintained to a very high standard. Most of the time it is open to visitors (free of charge), but it is never that crowded. If you do visit, you can pick-up a free guide leaflet in the entrance. One amusing feature of the Town Hall is that some of the historical sculptures are, to say the least, a little less than accurate.

History

Rayners Chester Town Hall - if you carefully you'll see there are no hands on the clock face. The clock was not installed until 1980. The inns to the left of the Town Hall (Market Inn and Saracens Head) were replaced by the new Vegetable Market in 1886.

After the Exchange fire of 1862 a competition was organized for a new Town Hall. Entrants were to submit designs which were "substantial and economical" and in accordance with "the general features of this ancient city" and costing no more than £16,000. Some thirty designs were submitted in 1864 and the competition was won by the Belfast architect W. H. Lynn with a design said to be based on the medieval "Cloth Hall" in Ypres, Flanders (largely destroyed in WW1, but since rebuilt). Not exactly "cheating..."

The site chosen lay west of the Exchange, bounded by Princess Street to the north, the Saracen's Head Inn to the south, and the road to the new market hall to the rear. Previously it was occupied mainly by inns and alehouses. Work began in 1865 and lasted some four years, prolonged by the increasingly strained relations between corporation and architect. The principal difficulty was that Lynn's scheme cost more than £16,000, and although the committee grudgingly accepted a tender of £21,610, it continued to consider various modifications. Costs soared to almost £50,000, and the stone-masons went on strike. Nevertheless, in 1869 the new town hall was completed. Built of red and grey sandstone in a style best described as Venetian Gothic, its main facade was symmetrical, of ten bays with a central tower. The interior included a large assembly room, a court room for the city quarter sessions, and on the first floor, reached by a fine staircase rising in an apse, a council chamber, mayoral suite, and committee room. It was opened on October 15th 1869 by the Prince of Wales (and then also Earl of Chester), later King Edward VII.

The Cloth Hall in Ypres - no clock on one side either.

Some myths about the clock

One often-mentioned feature of the town hall is that the clock tower only has a clock on three of the four sides, and that the clock face facing Wales is missing because the inhabitants of Chester "would not give the welsh the time of day" (see "Shoot the Welsh). The Cloth Hall in Ypres (built in 1260, destroyed in WW1 and rebuilt in 1934), upon which the Town Hall is based, also only has a clock face on three sides of the tower.

The actual clock is recent (having only been installed in 1980), as plans for the inital purchase of a clock (originally intended for Woolwich Arsenal) were cut for cost reasons and the discovery that the clock would require an hour of winding each day!

Ornaments

The gates .. and the snails which cannot be found

The steel and bronze gates, designed and made by Terrence Clark, were presented to celebrate the granting of the Lord Mayoralty to the City of Chester in 1992. Welded onto the Town Hall gates are three small metal snails, one on the right hand and centre gates and a third which is really hard to spot.

The Porch - some odd choices of sculpture

The porch contains four sculptures in Bath stone. These are technically very well executed and depict a series of historical events that unfortunately share the common feature that they have brought military "conflict" in some form to Chester. The sculptures are the first of many at the Town Hall which are notable for their historical errors and innaccuracy.

"Roman Soldiers Building The Walls Of Chester" (see: Roman Chester)

Porch sculpture - Roman soldiers and a disregard of health and safety.

These Roman guys were obviously tough - three of them are lifting a huge block of stone that probably weighs several tons up to the top of a gateway, without any lifting gear other than brute force. On top of that, they have bare feet - not even military boots are being worn. The walls of Roman Chester were once thought to have been rebuilt in stone from the middle of the second century CE. There has been much debate on this. However, it now appears that the facing of the ramparts with stone started earlier and the rebuilding of the ramparts with solid stone was well underway by the end of the first century, i.e. within a few years of the establishment of the city. This would have been a massive undertaking, as the stone walls, towers and gates comprise some 55 thousand tons of stone (about 70 thousand Roman wagon-loads). The Romans who invaded in the year 43 were clean shaven. In the early 2nd century the Emperor Hadrian made beards fashionable again because he thought a beard made him look like a Greek philosopher, so depending on the date maybe the guy in charge is fashionable or not.

"King Egbert Uniting The Kingdoms Mercia" (see: Dark Ages)

Porch sculpture - Egbert - believed at the time to be the first king of England. Visited Chester once - to invade it.

Why pick Egbert? In 829 Egbert invaded Mercia (which then included Chester) and drove Wiglaf, the king of Mercia, into exile. This victory gave Egbert control of the London mint, and he issued coins as King of Mercia. It was after this victory that the West Saxon scribe described him as a bretwalda, meaning "wide-ruler" or "Britain-ruler", in a famous passage in the Anglo-Saxon Chronicle. The relevant part of the annal reads, in the [C] manuscript of the Chronicle: ⁊ þy geare geeode Ecgbriht cing Myrcna rice ⁊ eall þæt be suþan Humbre wæs, ⁊ he wæs eahtaþa cing se ðe Bretenanwealda wæs (and the same year King Egbert conquered the kingdom of Mercia, and all that was south of the Humber, and he was the eighth king who was 'Wide Ruler'). Egbert seems to have plundered every territory he conquered - to quote Roger of Wendover: "When Egbert had obtained all the southern kingdoms, he led a large army into Northumbria, and laid waste that province with severe pillaging, and made King Eanred pay tribute". Egbert didn't even keep Mercia for that long - in 830, Mercia regained its independence under Wiglaf — the Chronicle merely says that Wiglaf "obtained the kingdom of Mercia again". Samuel Lewis (in his Topographical Dictionary of Wales) does not paint Egbert in a good light: "Immediately after surrender of Chester to Egbert of Wessex, the whole of the present county of Flint, being an open tract devoid of those rugged and almost inaccessible elevations which occupy so much of the rest of North Wales, became subject to the arms of that powerful monarch who carried his devastations to the foot of the mountains." . Egbert appears to have visited Chester but once, around 830. As one writer records:

  • During Egbert’s final war with Cornwall, the North Welsh had to the best of their ability aided their fellow Britons, and therefore Egbert launched a punitive expedition against them. He laid siege to and took Chester, then capital of the Welsh kingdom of Gwynedd – strongest of all the several North Welsh states. Of the punishments Egbert visited upon these Britons, the most humiliating was his command that the statue of their ancient king, Cadwalhon, be destroyed and never replaced. When he returned to Wessex, Egbert decreed that all the Welsh and their offspring leave his kingdom within six months or be put to death. Egbert ordered this apparently at the instigation of his wife, Redburga, who did exercise some political influence over her husband, and whose hatred of the Welsh was well-known.

Chester must have been changing hands rapidly at this time. In 839 Egbert's successor, Æthelwulf of Wessex, held the Witenagemot (literally "meeting of the wise") in Chester, and, being crowned (in Kingston not Chester?), received at Chester the homage of tributary kings, "From Berwick to Kent." (Encyl Brit 1911 - not found in the A.S. Chron - and Wiglaf should have been in charge then). Æthelwulf and his first wife, Osburh, had five sons and a daughter. After Æthelstan came Æthelbald, Æthelbert, Æthelred, and (his most famous son) Ælfred. Each of his sons, with the exception of Æthelstan, succeeded to the throne. What did Egbert do for Chester? - plundered it probably.

Porch sculpture - Earl Hugh and King William have aged a bit and each grown a mustache. Later in life, both got very fat.

So why Egbert? - because at the time that the Town Hall was built he was generally regarded as the first king of all England. He was, briefly.

Hugh Lupus Created Earl Of Chester" (see: Earls of Chester).

Presumably the fellow on the throne is William and the fellow kneeling is Hugh of Avranches. In 1071, Gherbod the Fleming, the first Earl of Chester was (perhaps) taken prisoner at the Battle Of Cassel in France. Taking advantage of the circumstances, the king declared his title vacant, giving Hugh the Earldom (of the second creation). Hugh was born atound 1047, so he's around 24 at the time he becomes Earl, while William, born around 1028, is over 40. If anything the kneeling figure looks the older of the two. And what's with the mustaches? - the Normans in the Bayeux Tapestry are all clean shaven (whereas Harold is the one with the mustache). Finally, Hugh seems to be remarkably forward-looking with his Knight's Templar headgear. Both these guys are shown as quite thin, whereas in truth they both became quite fat in later life. In William's case that led to war with France when the French King asked him when he expected to give birth. While he was burning down a French town, William's horse stood on a hot ember which caused William to be thrown against the pommel of his saddle "rupturing his organs". He lingered in extreme pain for five weeks, then died. As regards Hugh, Hemingway quotes the following:

  • He was, "saith Ordericus, not only liberal, but profuse; he did not carry a family with him, but an army. He kept no account of receipts or disbursements. He was perpetually wasting his estates; and was much fonder of falconers and huntsmen, than of cultivators of land, and holy men, and by his gluttony he grew so excessively fat, that he could hardly crawl about."

What did Hugh do for Chester? Identified as a centre of disaffection, Chester was dealt with severely. The construction of William I's motte and bailey castle south-west of the legionary fortress almost certainly entailed considerable destruction; when Earl Hugh received the city, probably in 1071, the value of the farm had been reduced by a third to £30 and it was described as 'greatly wasted'. Of 487 houses standing in 1066, 205 had been lost and were perhaps not rebuilt before 1086. The increase in the farm of the city under Earl Hugh to £70 and a mark of gold (about its pre-Conquest level) perhaps indicates more burdensome exactions rather than returning prosperity.

"The Entry Of Charles The First Into Chester" (see: Civil War)

Porch sculpture - Charles I arrives in Chester. The next day he lost a battle and then left.

In September 1645 the Civil War was not going well for Charles. Chester was under siege by the "Roundheads". Charles had gathered what men he could and marched north along the Welsh border in the hope of relieving Chester and consolidating his forces with those of his supporters in Scotland, particularly Montrose. His course northward was paralleled by parliamentary forces under Sydenham Poyntz who had been instructed to prevent Charles from breaking out into the Midlands. At Chirk Castle, Charles, heard that Boughton had been overrun and that Chester itself (whose walls had been breached) might soon fall. He hastened northward to the beleaguered city, arriving on 23 September 1645, as depicted in the sculpture. What is strange about the sculpture (apart from the fellow who seems both drunk and dressed in clothing from a later century) are the armored trousers that Charles is wearing. These appear to be based on lobster-shell cuisses, but seem impossible to sit down in. Charles did not stay long. The next day his army was defeated at the Battle of Rowton Moor and he promptly left.

What did Charles do for Chester? - as Hemingway writes:

  • "The incessant drains upon their property, in the shape of levies for the maintainance of the garrison, and the support of their fugitive prince, had levelled the different classes of the community, and reduced the whole to one common condition of absolute beggary. Desolation and destruction marked the suburbs, which presented an undistinguished mass of ruins, the only remains of dwellings, once the peaceful habitations of content and security; while our walls and edifices within the city were defaced, or battered down by the destructive cannon."

The Waiting Hall

Flanking the doors of the "Waiting Hall" are busts of George V and Sir Horatio Lloyd, who was Recorder of Chester from 1866 to 1921.

"Sir W. Brereton Before The Mayors Court"

Sir William Brereton before the Mayor's court. What did he do for Chester? - shelled it mostly.

Above the entrance to the Court Room, Sir William Brereton is shown before the Mayor's court, following his arrest in 1642 for attempting to raise recruits for the Parliamentary army (see: Civil War). In 1628 Brereton was elected Member of Parliament for Cheshire and sat until 1629 when King Charles I decided to rule without parliament for eleven years. In April 1640, Brereton was re-elected MP for Cheshire in the Short Parliament. He was re-elected for the Long Parliament in November 1640. Brereton was Commander-in-Chief for Parliament's army in Cheshire, played an important role in the first civil war's final major pitched battle at Stow-on-the-Wold, but thereafter faded into the background vis-a-vis military matters. Prior to this, Brereton turned his attentions to besieging Chester, a Royalist stronghold. Lord Byron, then Governor of the City, held out until February 1646, but finally had to capitulate, and the shell-shocked and starved city was almost in ruins. In 1642 (9 Nov) grenades were apparently first used at Holt Bridge at Farndon - Sir William Brereton, attacking the bridge for the Parliamentarians stated:

  • "for which end they had also made a towre and drawbridge and strong gates upon the bridge soe as they and wee coceived it difficult if not altogether ympossible to make way for our passage". Despite this he, Thomas Middelton and their forces took the bridge when they cast "some grenados amongst the Welshmen"
Buskers and beggars marching (thirty miles) to the aid of Ranulf de Blondeville against the Welsh.

After the first civil war, Brereton was rewarded by Parliament; he gained Eccleshall Castle in Staffordshire and Croydon Palace, previously the home of the Archbishop of Canterbury. He later argued that the Earl of Derby (imprisoned at Chester) should not be executed for his alleged part in the "Bolton Massacre". So what did William Brereton the grenade-throwing MP do for Chester? - shelled it mostly.

A group of minstrels marching to the aid of Ranulf de Blondeville (see: Minstrel Court)

Above the central doors of the Assembly Room, a sculpture shows a group of minstrels marching to the aid of Ranulf de Blondeville, who was besieged by the Welsh in Rhuddlan Castle. The story depicted (which appears to have taken place sometime around 1198-1205) is found in Leycester's Prolegomena:

  • Being distressed by the Welsh and forced to retreat to the castle of Rethelent (Rhuddlan) in Flintshire, where they besieged him, he presently sent to his Constable of Chester, Roger de Lacy, surnamed 'Hell' [Yclept] for his fierce spirit, that he would come with all speed and bring what forces he would towards his relief .. It was the time of the Midsummer's Fair, de Lacy gathered a large group of fiddlers, players and cobblers and marched them immediately to the earl's rescue. Seeing a great multitude approaching, the besiegers fled.

It may be that it was because of this event that Hugh Dutton, Roger's seneschal at Halton Castle (one of the Barons of Halton) was granted control and licencing of the musicians of Cheshire by Roger - see Minstrel Court. As noted by Leycester, the rights even made it onto the statute books. in the 1744 Vagrancy Act, (17 George II., c. 5.), the heirs and assigns of John Dutton, of Dutton, co. Chester, deceased, Esq., are stated to be "exempt from the pains and penalties of vagrancy".

Sculptures at the end of the Waiting Hall depict:

Edward the Black Prince and Henry VII

1355 - The Black Prince visits Chester and grants a Charter to the citizens of Chester (Black was "in" that year - the Black Death also visited).

In 1352, Edward the Black Prince (Earl of Chester (1330-76) see: "Earls of Chester") gave notice to the Mayor and citizens that he had granted the fee-farm of £100 payable by the city yearly to Richard, Earl of Arundel (c.1306/1313 – 24 January 1376), for his life, commanding them at the same time:

  • "to be attentive and obedient to the said Earl and his attornies in the payment of the said Farm."

The 10th Earl of Arundel hardly needed the money, his peak wealth of over 100 Billion in todays money possibly (just) puts him in the top ten richest people of all time.

1506 - Chester gets its reward for treason against Richard III?

Three years later, the ninth of March, 1355, the Black Prince confirmed the previous charters (see: Charters) and granted other privileges. The chattels of felons and fugitives, to the amount of £30 were to belong to the city, above that amount to the King. In addition, the Mayor, by virtue of his office, was to be escheater to the King. Finally, the boundaries of the city were described, and appear to have largely coincided with those of to-day, and the citizens were invested with Admiralty powers enabling them to arrest for tolls, dues, customs, and offences committed on the Dee between Chester and Arnold's Eye (Hilbre Island). This charter was signed by the Prince himself at Chester. The Prince's attitude to the city of Chester is note-worthy:

  • "there were more evil-doers within the city than in the entire shire outside it"

Henry VII (1485-1509) granted Chester county status in 1506: "know Ye that we, for the great affection which we have and bear to our City of Chester, the Citizens and Commonalty of the same City, and in consideration of the good behaviour and great expenses of the inhabitants of the same City, as also of the voluntary service many ways rendered by them against our adversaries and rebels, willing the better estate of the same City, and especially to provide for the convenience and quiet of the said Citizens, their heirs and successors, of our especial grace and certain knowledge, and mere motion, have given and granted, and do give and grant, and by these presents have confirmed for us and our heirs to the aforesaid Citizens and commonalty, their heirs and successors for ever, that the said City, and all the ground within the said City, with the suburbs and hamlets within the precinct and compass of the same, and all the ground within the precinct and compass of the said City of Chester and the aforesaid suburbs and hamlets, (wholly excepting our castle within the walls of the said City), be exempted and separated, as well by land as by water, from our shire of Chester; and that the said City, and the suburbs and hamlets of the same, and all the ground within the precinct and compass of them, (except as before excepted), be henceforth a County by and in itself distinct and separate from our County of Chester, and that from henceforth it shall be called and named the 'County of the City of Chester.'"

It could be that this "Great Charter" was a "reward" for the Stanleys of Stanley Palace for their support against Richard III at the Battle of Bosworth.

The Magistrates Court

The Magistrate's Court, as seen from "the dock".

The courtroom ceased to be used for Quarter Sessions in 1972 or as a Magistrates Court in 1991 when a new Magistrates Courthouse was opened in Grosvenor Street. Quarter sessions usually sat in the seat of each county and county borough and were abolished in England and Wales in 1972, when the Courts Act 1971 replaced them and the assizes with a single permanent Crown Court.

The court of quarter sessions was the meeting of the justices of the peace for the county held quarterly at Epiphany (January), Easter, Midsummer and Michaelmas (Autumn). While in the other English counties the office of justice had been in existence since the 14th century, it was not until 1536 that Cheshire was statutorily obliged to have justices appointed by the crown in commissions of the peace and establish courts of quarter sessions. Courts were originally held at Chester, Middlewich, Northwich, Nantwich and Knutsford, but from 1760 the only sessions towns were Chester (Epiphany and Easter) and Knutsford (Midsummer and Michaelmas).

Additionally, the city of Chester had its own quarter sessions, formally established by the ‘Great Charter’ of 1506 which empowered the mayor and aldermen who had held that office to act as justices of the peace and created the new office of recorder. Under the 1835 Municipal Corporations Act, Chester Corporation petitioned to retain its separate Quarter Sessions and this was granted in William IV’s charter of 1836. A typical record of the court (from before it moved to the Town Hall) reads:

  • "JOAN HARVY late of the parish of St.Oswald, aged 14 yrs. On 14-03-1837 in said parish stole loaves valued two pence, sentenced to 12 months hard labour in prison and to be severely whipt."

Stairs from "the dock" lead down to the Police Station in the cellars of the Town Hall. A previous Police Station used to be in the cellars of the Town Hall. For a while its rooms were the Records Office. In April 1966, the infamous 'moors murderers', Ian Brady and Myra Hindley were held there while facing trial at Chester Castle.

Stained glass..and the mixed-up coats of arms

Ranulf de Meschines - Town Hall staircase - red lion on gold

In the main stairs inside the town hall are stained glass windows depicting the Earls of Chester:

  • John Canmore - in stained glass at (Stoneleigh Abbey) - at Stoneleigh he is shown in the arms of Ranulf Blundeville;
  • Ranulf de Blondeville - in stained glass at (Stoneleigh Abbey) - arms are three gold sheaves on blue;
  • Hugh de Kevelioc - in stained glass at (Stoneleigh Abbey) - arms are six gold sheaves on blue;
  • Ranulph De Gernon - in stained glass at (Stoneleigh Abbey) - arms are gold lion on red or red lion on gold?;
  • Ranulf de Meschines - in stained glass at (Stoneleigh Abbey) - arms are silver lion on red or red lion on gold?;
  • Richard of Avranches - in stained glass at (Stoneleigh Abbey) - arms are silver wolf head on red with crosses;
  • Hugh of Avranches - in stained glass at (Stoneleigh Abbey) - arms are silver wolf head on blue;
  • Gherbod the Fleming
Ranulf de Meschines has arms which are, on the Suspension Bridge, a gold lion on a red ground.

The Stoneleigh Abbey glass has an interesting history. The panes date from the third quarter of the 16th century and were originally made for Brereton Hall, Brereton Green, in Cheshire. The glass was sold at auction in Liverpool in 1818 and bought by Abraham Bracebridge, who installed it in his library at Atherstone Hall, Warks. On his death he bequeathed the glass to his friend Lord Leigh of Stoneleigh Abbey, Warks, where it remains today. Among the glass bequeathed were figures of seven Earls of Chester from Hugh Lupus to John the Scot, together with two figures of Saxon Earls of Mercia. It is unusual to find English figurative glass of this period, and so these figures are of considerable importance.

There is a conflict between the arms in the Town Hall and those on the Queens Park Suspension Bridge. Ranulf de Meschines has arms which are, on the Suspension Bridge, a gold lion on a red ground and, in the stained glass of the Town Hall, possibly a red lion on a gold ground. To add further confusion some versions of the arms of his son Ranulph De Gernon and that shown on the bridge also differ. The Stoneleigh Abbey glass appears to agree with the Town Hall stained glass and not with that on the suspension bridge.

There are also eight late 16th century (1578) painted boards depicting the Norman earls and Edric Sylvestris (Eadric the wild), supposed ancestor of the Sylvesters of Storeton in Wirral. The depictions are entirely imaginary as they show the earls in Tudor armour. These panels were formerly in the possession of the Stanleys of Hooton, they were purchased by Sir Thomas Gibbons Frost and presented by him to the city during his mayoralty in 1883.

Upstairs

The war memorial outside the Assembly Room bears the names of 768 Chester citizens who died in the First World War. A small plaque commemorates those from Chester who died in the Second World War.

The City Council meet in a grand chamber on the first floor which had to be rebuilt by Thomas Lockwood after a disastrous fire which completely destroyed it in 1897. The Lord Mayoral suite consists of the Lord Mayor's Parlour and the Mayoress' Parlour. In the committee room are panels bearing the names of the mayors of Chester from 1238, the sheriffs from 1836, the earls from around 1070, the clerks and town clerks from 1291 and the recorders from 1506.

On display in the Mayor's Parlour at the Town Hall is a clock, carved to resemble the west front of Chester Cathedral, is one of six similar clocks presented to HMS Chester by the citizens of Chester in May 1916.

Works of sculpture .. and more impossible dates

On the first floor landing are three more pieces of sculpture and, as with all the others there is a "funny" story associated with each of these as well..

"Charter Granted To Mayor And Corporation By Ranulph The Third In AD 1181"

"Charter Granted To Mayor And Corporation By Ranulph The Third In AD 1181" - Ranulf III was only 9 in 1181

The problem is that in 1181 Ranulf de Blondeville (Ranulph III), Earl of Chester was only nine years old and became Earl when his father Hugh de Kevelioc died on the 30 June 1181. Ranulph did not achieve his majority until 1187. The sculpture portrays Ranulph as being much older than nine, and no Chester charter from that year has ever been identified. In reality, the office of mayor of Chester probably originated with Ranulf de Blondeville's confirmation of grant of a "Guild Merchant" to the city a little later, in the 1190s.

"James The Second Welcomed By The Citizens And Nobility"

The only problem was that he was not made welcome!

This shows James II on his Visit to Chester in 1687. Mistrust of the king was evident during his visit to Chester in August 1687, to the extent that the Governor of Chester was unable to procure a loyal address from the corporation - not much of a welcome really.

In 1687, James issued the Declaration of Indulgence, also known as the Declaration for Liberty of Conscience, in which he used his dispensing power to negate the effect of laws punishing Catholics and Protestant Dissenters. He attempted to garner support for his tolerationist policy by giving a speaking tour in the West of England in the summer of 1687. As part of this tour, he gave a speech at Chester where he said:

  • "suppose... there should be a law made that all black men should be imprisoned, it would be unreasonable and we had as little reason to quarrel with other men for being of different [religious] opinions as for being of different complexions."

The King saw the Quaker, William Penn preach at the Quaker meeting house. Bishop Cartwright of Chester wrote: "I was at his majesty's leave and accompanied him to the choir where he healed 350 persons" (presumably of the "king's evil").

Cooke records the attitude of the Corporation at the time:

  • So venal and dependent the corporation became afterwards, that, when James the Second visited this city, the recorder, Leving, at the head of the corporation, thus addressed him: "The corporation is your majesty’s creature, and depends merely on the will of its creator; and the sole intimation of your majesty’s pleasure shall ever have with us the force of a fundamental law." When James made an alteration in most of the charters in the kingdom, the like attempt was made on the city of Chester; but the independent citizens, conceiving, that this offer was only made to seduce them into a resignation of their religious liberty, unanimously refused its acceptance, and desired to have their ancient charter of Henry the Seventh restored. Thus, through the dismission of the corporation created by Charles’s charter, and the non-acceptance of that of James, the city was destitute, nearly three months, of magistrates, and the election-day passed, without any officers being chosen.

"Edward Price of Wales Receiving Homage: First Royal Earl Of Chester AD 1254"

Edward, "Prince of Wales", hadn't even been born in 1254.

This presents something of a problem and contains probably the biggest historical error in any of the sculptures: King Henry III passed the Lordship of Chester, but not the title of Earl, to his son the Lord Edward (later Edward I) in 1254, and as King Edward I he in turn conferred the title and the lands of the Earldom on son, Edward (later Edward II), who was also made the first English Prince of Wales in 1301, when King Edward I of England, completed the conquest of Wales. So the figure above the doors of the Mayor's parlour is not Edward I ("Hammer of the Scots") but his somewhat disappointing son Edward II (of hot poker fame), Prince of Wales, who was only born in 1284. In 1254, his parents had probably not even met.

David Powel, a 16th-century clergyman, suggested that the infant Edward II (born 1284) was offered to the Welsh as a prince "that was borne in Wales and could speake never a word of English" (because he was still a baby), but there is no evidence to support this account. In fact, Edward only became Price of Wales in 1301 (aged 16, by which time he would have been able to speak English) there is no way he could have been "Receiving Homage" in 1254.

So why are there so many mistakes in the sculptures? One possible reason is the relationship between the corporation and the builders. In 1867 the "Operative Stonemasons" were involved in a nine-month strike on the town hall building site. Perhaps they decide to have "a laugh" at the corporations expense by incorporating so many mistakes in the sculptures. We do not know the name of the actual sculptor, except that he was selected by the architect and was a "sculptor of repute". One possible candidate is Felix Martin-Miller, who was known to have been a "sculptor of repute", and to have worked with the architect on another town hall. In 'Sculptors of the Day', published in 1880, Miller is recorded as being at the Art School, South Kensington Museum (now the V&A): he was Master in the Modelling Class from about 1860 to 1880. Mentioned in the obituary of the sculptor Henry Foley in the 'Art Journal' of 1874, Miller was described as 'one of the few sculptors whose genius is manifest and who has produced works, chiefly bas-reliefs, that are unsurpassed by any production of their class in modern Art: Foley thought so well of Miller that he commissioned more than one of his works in marble: indeed the great artist was the principal patron of his struggling brother-artist'. Felix Martin Miller (1820-1880) was active between 1842 and 1880.

Further Developments

In "The Building News", December 2nd 1881, we read:

  • “The space between the covered market and the site of the Town Hall was occupied by tavern premises, which, owing to rights of light which they enjoyed, prevented the completion of the return of the new building towards the market. This bad to be sloped inwards from about two-thirds of its depth as a temporary expedient. The Corporation having acquired this property, are now extending the market accommodation up to the Town Hall boundary, with a front towards Northgate-street, in keeping with the style of the Town Hall. This, which is shown in our view of the building.«, is being carried out from Mr. Lynn’s designs also. The return of the south end of the Town Hall is drawn complete — a condition which, it is to be hoped, it will be left in before the opportunity for accomplishing it simultaneously with the market work is allowed to pas^. The extension of the market is being carried out by Mr. W. Edge Samuels, of Wrexham, contractor, under the superintendence of Mr. J. Matthew Jones, the City surveyor of Chester, who has prepared the drawings of all the work now being done, with the exception of the new front designed by Mr. Lynn.”
The 1881 plans for an extension.

The worlds first cinema?..or yet another falsehood

The Town Hall in 2014. The work of sculpture to the right is Stephen Broadbent's statue entitled "A Celebration of Chester". Mr Broadbent lives and works near Chester.

On 21 June 1889, William Freize-Green was issued patent no. 10131 for his 'chronophotographic' camera (“An Improved Apparatus for taking Photographs in Rapid Series”). It was apparently capable of taking up to ten photographs per second using perforated celluloid film. He was the first to use celluloid. A report on the camera was published in the British Photographic News on 28 February 1890.

On 18 March, Friese-Greene sent a clipping of the story to Thomas Edison, whose laboratory had been developing a motion picture system known as the Kinetoscope. The report was reprinted in Scientific American on 19 April. Friese-Greene would later claim that one Sunday morning in January 1889, he set up his newly-invented camera – a box approximately one foot square with a side-handle – on a tripod to the west of Aspley Gate in London’s Hyde Park and exposed roughly 20 feet of film. Friese-Greene claimed to have filmed “leisurely pedestrians, open-topped buses and hansom cabs with trotting horses” According to some sources, it was first publicly exhibited at Chester Town Hall 1890.

Thus, William Freize-Green claimed to have shown the first ever successful moving pictures on 26 June 1890 at Chester Town Hall, during the 1890 "Chester Photographic Convention". That would make the Town Hall the world's first ever cinema.

Unfortunately, there is no surviving record of the actual demonstration and the claim has been dismissed as either self-deluding or fraudulent.

Beset by financial troubles (including a spell in prison for borrowing money while an undischarged bankrupt), Friese-Greene remained an incorrigible optimist. Although he was forced to sell the rights to his patent for £500 (the first renewal fee was never paid and the patent lapsed in 1894). He died penniless on 5 May 1921 while giving an incoherent speech to a meeting considering the parlous state of the British film industry - which attempted amends with his tombstone inscription and a lavish funeral wreath - a floral projector and screen with blooms spelling out 'The End'.

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The Town Hall is the starting point for the Millennium festival trail.