Foregate Street



Sometime "Forest Street" (probably a corruption of "a'Fore East Gate Street") is now Foregate Street and is the continuation of Eastgate Street outside of the Eastgate. The Rows have never extended into Foregate Street, and there have only ever been some covered "arcades" here. The reason for the lack of Rows may be that the Roman construction here was never as substantial as that within the City Walls, and so upon its collapse did not form the raised areas which provided the basis of the Rows.

Foregate Street contains a rich and interesting mix of traditional Victorian and Georgian architecture, interspersed with modern insertions and a number of early 20th Century "black and white" buildings. Arcades are a common feature, providing a richness of experience at street level and providing natural shelter from the elements. However, the loss of natural light can create a rather dark and uninviting environment, particularly where long sections of the street are under cover. Brick, stone and timber facing are the principal materials for walling. Gable fronts are common, although there is no overall consistency in the roofscape, with traditional pitched and flat roofs also in evidence. Shopfronts are variable in quality, with many good examples but also (especially at the western end) a number of over-sized and poorly designed shopfronts.

Foregate Street




In the Roman Chester, the civil settlement outside of the walled fortress was on the eastern side of the City and the spine of this development was an early form of Foregate Street. The aqueduct which supplied Roman Chester with water followed the route of Foregate Street from the spring sources at Boughton. The Fortress probably used about half a million gallons (2.5 million liters) of water each 24 hours. As it was outside of the City Walls the proto-Foregate Street would have been home not to the active military but to the houses, shops, workshops, taverns and other building errected and occupied by civilians, including the unofficial families of serving soldiers and retired members of the legion. The buildings were long, narrow plots with a street frontage of around 10 meters and stretched back about 30 meters - the Roman equivalent of medieval burgage plots.. There would be a shop at the front, a workshop in the middle and the living accomodation would be furthest from the road. By the end of the first century, when Roman Chester was about a generation old, Foregate Street appears to have been lined with buildings out to about 300 meters from the Eastgate, a little beyond present-day Love Street.

At the Bars was the site of pottery kilns on the fringe of the Roman vicus (dated before 132 AD), indicated by wasters and over and under-fired pottery of the late 1st to early 2nd century. After these buildings the road would have been lined by funeral monuments (mostly cremations).

A red sandstone Roman altar was found in 1653 during excavation for the cellar of Richard Tyrer in Foregate Street. It stood in Tyrer's garden until he donated it to the University of Oxford in 1675. It is now in the Ashmolean Museum. Inscribed on one side of the altar was a dedication (now illegible) which read:


 * "I O M TANARO / L ELVFRIVS GALER / PRAESENS [Cl]VNIA / PRI LEG XX VV / COMMODO ET / LATERANO COS / V S L M"

The altar employs commonly used abbreviations which would have been recognisable to most readers in Roman times. The Latin transcription runs:


 * "Iovi Optimo Maximo Tanaro / Lucius Elufrius Galeria / Praesens Clunia / princeps legionis XX Valeriae Victricis / Commodo et / Laterano consulibus / votum solvit libens merito."

In modern English this would read:


 * "To Jupiter Best and Greatest Tanarus. Lucius Elufrius Praesens, of the voting tribe Galeria from Clunia, princeps of the 20th Legion Valeria Victrix, when Commodus and Lateranus were consuls, willingly and deservedly fulfilled his vow."



The first line records the name of the god being honoured. Dedications to Jupiter Optimus Maximus are common throughout the Roman empire, but the last name is unique. It could come from the Latin ‘tonare’ meaning ‘to thunder’. It could also be a misspelling for Taranis, a Celtic thunder god syncretised with Jupiter. The next three lines record his name, origin (Clunia in Spain) and rank (the princeps being the second most senior centurion in the legion after the primus pilus). Then comes the date, recorded in the standard Roman way by the names of the consuls for that year, in this case AD 154. The last line is an abbreviation commonly found on dedicatory inscriptions and refers to the nature of Roman religion (commonly referred to as "do ut des" – "I give so that you may give"), whereby the supplicant gives or promises to give an offering in exchange for a favour. In this case, Lucius Elufrius Praesens promised to dedicate an altar to Jupiter. The remaining three sides of the altar are decorated, each with a different image: a six-petalled flower, a five-petalled flower within a wreath, and a jug.



In medieval times Foregate Street existed, as it does today, as the principal road leading directly eastwards from the principal road leading out of Chester. Frodsham Street was originally the commencement of a Roman Road which ran from the fortress, along the line of modern Brook Street, through the suburb of Hoole and on to Frodsham and beyond. Much of this Roman route remains in use to this day although some sections are now little more than footpaths (such as Newton Hollows). The Barrs (at the eastern end of Foregate Street) was once the location of a outer defensive fortification for the City. In the Middle Ages it was Chester's principal industrial area. Industries associated with transport were concentrated here, including cartwrights, wheelwrights, saddlers and blacksmiths. There were also a very large number of breweries.

A focus of activity in this area in the Middle Ages was the Jousting Croft. Located to the north of Foregate Street, presumably centred on the Kaleyards site - formerly the Roman parade ground, this space has a long continuous history of being undeveloped. It was here that jousts, tournaments and archery practice took place. All around the perimeter were erected the stalls, booths and amusements of the fairs and markets. Military exercises ceased to be performed around the close of the 16th century. The canal now flows through the old Jousting Croft and part of Queen Street covers the south of it today.

Both the Braun and Hogenberg map (1581) and the Smith Map (1588) show that Foregate Street was fully developed as far as the Barrs by the end of the 16th Century. 18th During the Century when the City Walls were converted into walkways, the medieval gateways were replaced by wider arched gateways that allowed traffic to enter the City more easily. Eastgate was the first gateway to be replaced in 1768.

In Georgian and Victorian times, the area around Grosvenor Park was a popular location for the wealthy gentry to build homes (as was Lower Bridge Street) and it included the homes of several notable families. Forest House, on the corner of Love Street and Forest Street, remains as the last vestige of this area. The historical maps reveal the evolution of the existing street pattern over time. The most significant change has been the construction of the inner ring road and Grosvenor Street roundabout, severing the direct link between Seller Street and Foregate Street and reducing east-west connectivity between York Street and Bold Square. Queen Street extended through to the canal until it was recently severed by the Tesco development. Forest Street appears only after 1938, the grounds of the former school having previously included land to the north, preventing connection between Love Street and Bath Street. The link between Queen Street and Frodsham Street is shown to have only ever existed as a footpath (Union Walk).



South Side
Where a building is "listed" the street address is linked to the record, either at English Heritage or one of the mirror sites.

Number 2-4 "Old Bank Buildings"


Part of a block of shops and offices from 1895 by T. M. Lockwood. The building is timber framed on the three storey elevation to the front and that facing the City Walls. The ground floor is arcaded, with a timber bracket to the Eastgate and has vase-topped, carved wooden pillars which probably conceal iron supports. The shallow first-floor jetty has a running vine carved onto the fascia. The first floor is close-studded with three six-light mullioned and transomed windows, the central four lights of each forming a bowed or canted oriel on carved brackets, two of which are in the form of dragons. The close-studded second floor has a bold jetty on six "dragon"-brackets and two mullioned and transomed oriels, left and centre, with broad central lights, each of which is round-topped, a feature which Lockwood uses often. The right bay has composite casement in form of a cross-window to each side of a "Palladian"-style window. All glazing is leaded. The two left bays have close-studded front gables and are inscribed with the date of contruction. The corner turret is timber-framed with a copper cupola roof (a common feature of Lockwood's designs) with tall finial. The interior has a broad open-well stair with ornate cast-iron balustrades to first floor.



The "Chester Old Bank" occupied this building. This private bank was established in Chester by Owen Williams in 1792. Initially it was closely connected with Anglesey’s copper mining industry (Parys Mountain dominated the world's copper market during the 1780s, when the mine was the largest in Europe), and the bank survived the collapse of that industry around 1805 to become Chester's premier bank for much of the 19th century. Owen Williams was of the same family as (but not to be confused with the son of) Thomas Williams, who had transformed himself in less than 20 years from a prosperous Anglesey solicitor into what Matthew Boulton described as "the despotic sovereign of the copper trade". The turning point in his career was his retention in 1769 by the two local families of Lewis and Hughes, to fight a legal action against Sir Nicholas Bayly, father of the 1st Earl of Uxbridge, over possession of the recently re-discovered Parys Mountain copper mine at Amlwch. When the litigation ended in 1778, Williams emerged as the active partner in the Parys Mine Company. Thomas Williams had built copper works at Flint and Penclawdd where he made copper and brass products. Many of these materials were for use in the African slave trade. These copper trinkets etc. were largely exported to Africa for use as payment for slaves, who were then transported to the West Indies and sold. The proceeds were then used to purchase commodities (such as sugar) for import into Britain. Williams claimed to have invested £70,000 in this trade and petitioned parliament in 1788 when a bill was being discussed to prevent British ships from carrying slaves. Williams is said also to have introduced the use of copper bolts to fix the copper sheeting to naval vessels and it would appear that he sold them to all sides in the naval conflicts.



Williams and Co took over the Caernarfon bank, Roberts & Company (est. 1792) in 1796. The firm expanded by opening offices throughout north Wales, eventually becoming one of the largest banks in the area. Branches were opened in Caernarfon (1796), Bangor (1823), Llanfairfechan (1884), Port Dinorwic (1886), Llangefni (1889), Wrexham (1889), Connah's Quay (1889), Hawarden (1890), Penmaenmawr (1891) and Amlwch (1881). The business, which was Chester's last independent bank, was acquired by Lloyds Bank in 1897 and ceased trading as an independent entity around 1915. The take-over was "forced" as an auditors report in 1894 criticised the bank's owmers severely for imprudent and suspect banking practices.

Previous building on the site were demolished during the Civil War, but the site was later occupied by the "Maidenhead" Inn and later the "Elephant and Castle". The latter was demolished in 1792 to make way for the original Owen Wiliams bank building.

sources and links

 * Archival Records;

Number 8 "Lloyds Bank"


Said to be by Lewis Wyatt and built in 1803, extended to south 1897 by Thomas Meakin Lockwood. Yellow ashlar sandstone to front, stone-dressed orange-brown brick to St John Street, left: grey slate roof with lead to hips. The almost symmetrical Greek-revival style stone front has Tuscan columns, and is set on a plinth such that the door is reached by a short flight of steps with simple iron railings. The bank stands on the site of Richard Tyrer where the red sandstone Roman altar mentioned above was found in 1653. Tyrer was the son of the John Tyrer whose father had established the waterworks at the Bridgegate in 1600, and who himself was granted land at Boughton in 1621 to improve the supply to the cistern, and built a second water tower outside the Bars. Even earlier, in 1297, it had been the site of the house of "John the Goldsmith".

Lewis William Wyatt (1777—1853) was a British architect, a nephew of both Samuel and James Wyatt of the Wyatt family of architects, who articled with each of his uncles and began practice on his own about 1805, so this is a very early example of his work. He published A Collection of Architectural Designs, rural and ornamental, executed…upon the Estates of the Right Hon. Lord Penrhyn in Caernarvonshire and Cheshire (1800–1), but he is best known as a designer of country-houses. He completed Tatton Park, Ches. (1807–18), begun by Samuel Wyatt, and built Willey Hall, Salop. (1813–15 — probably his best work), both in a Neo-Classical style. He used the Tudor style at Cranage Hall, Cheshire (1828–9), and Jacobean at Eaton Hall, Congleton, Ches. (1829–31—demolished). Wyatt's work is said to have influenced that of Penson and Thomas Harrison

Lockwood's 1897 rear wing is a single storey building with stone-dressed openings: a round window, a 3-panel oak door with overlight and 3 unequal 9-pane sashes. This had been a garden before Lockwoods construction, but before that had apparently been the site of almshouses.



Hemingway writes:


 * "..Nearly opposite on the other side of the street is a pretty stone building where the respectable banking concern of Messrs Williams, Hughes, Williams and Granville is carried on: this establishment was commenced in 1793 and the present building erected about 1803. Immediately adjoining the bank is John street a clean neat and commodious street in which there are many genteel residences and amongst others those of the Hon Edwd Massy Mrs Sloughter Mr James Dixon and Mrs Freeman."

Number 10-18
The west part of this building (the old entrance to the "New" Blossoms Hotel) dates from 1896 by Thomas Meakin Lockwood. The east part dates from 1911 by Lockwood's son, W. T. Lockwood for the National Provincial Bank of England. The west part of the front to Foregate Street and the face to St John's Street have 3 storeys plus attics, the east part has 2 storeys and attic. The whole of the ground storey and the entrance bay to Foregate Street are of stone in the Classical manner of a 17th Century country builder while all other parts of the upper storeys are timber-framed in late 16th to early 17th Century style with close studding, shaped panel-tops and some shaped panels and herringbone braces. The eastern part of the building has less detail, without the shaped panel tops.

The ground floor has a canted doorway at the corner with St John's Street which originally had panelled double doors, but now has an elaborate wood case. The concave ceramic overpanel to the corner door is inscribed "NATIONAL PROVINCIAL BANK OF ENGLAND" in raised capitals. The stone entrance bay on Foregate Street itself (originally that of the "Blossoms Hotel") has a putto cartouche with cherubs beneath a 4-light mullioned and transomed leaded casement with moulded sill and a curved broken pediment beneath a moulded semicircular gable, dated 1911 in a carved wreath.

Prior to the banking Act of 1826, English banks were permitted to have no more than six partners – hence the expression "private banks". The banking Act of 1826 permitted the establishment of joint stock banks but bank-note issue was only allowed outside a radius of 65 miles of London. The National Provincial Bank of England was launched in 1833. For more than thirty years the Bank operated as a country bank, with its headquarters in London, but not transacting banking business in the capital. National Provincial was specifically structured to be a branch banking enterprise prepared to concentrate on a large number of smaller accounts rather than a small number of large accounts. The merger of National Provincial and Westminster Bank in 1968 to form a new company, the National Westminster Bank, which became part of The Royal Bank of Scotland Group in 2000.

The main hotels, notably the Blossoms and the Talbot, were centres of social and political life in late Georgian Chester. Initially occuplying the conrner plot and the frontage to Foregate Street the Blossoms claims to have occupied the site from 1650, when presumably it was built on the site of a building destroyed during the Civil War. Professor Raphael Dorman O'Leary stayed at the Blossoms in 1910. This was apparently standard practice and "all Americans .. began their English tour" there, after arrival at Liverpool". O'Leary complains about the Blossoms in much the same way he complains about most other hotels he stays in:




 * "Paid bill at Blossoms, one pound and six shillings, two nights lodging and one plain breakfast. The re-let our rooms while we were gone, and piled baggage out in hall. Memo: tell our friends to avoid Blossoms Hotel when in Chester" (£1/6s in 1910 money is about £85 in 2015 money)

Number 20-30


This is a three storey Edwardian style property, with stone lintels and pediments, parapet and sash widows with stone surrounds, designed in 1932 by Norman Jones and Leonard Rigby two Manchester based architects. The building has some elements of Modernism and Art Deco. Norman Jones and Leonard Rigby designed several stores for Marks and Spencer - as Norman Jones Sons and Rigby, they designed the Marks and Spencer store in Exeter in association with Marks and Spencer Architects department. They also desigmed the Aberysthwyth, Ceredigion, Wales, and Aylesbury, Buckinghamshire stores. This Marks & Spencer building is clad in Caen limestone, a plain creamy-white stone with only a very few fossil shell remnants evident.

The Chester store was extended to the west in a fairly sympathetic manner - and uses green migmatitic gneiss in decorative panels. The "odd" feature of this building include the art deco "torches" mounted on the second storey. The art deco parapet on the M&S building is interesting as from angles down the street it can be seen to be quite high compared with the roof. An advert for the:


 * "completion of extension to store at 22-26 Foregate St, Chester, opening Thursday, July 1st, 1937. Nothing over 5/-. Ask at the desk for particulars of our weekly clubs"

appeared in the Chester Chronicle on 26th June 1937. Michael Marks' "Penny Bazaar" has come a long way since 1884!



M&S were kind enough to provide the following information on the Chester branch:




 * '''Marks & Spencer first came to Chester in 1909 when a Penny Bazaar was opened at 103 Foregate Street. With the main frontage measuring 13 feet, 6 inches and a total store area covering 500 square feet, it was a good example of one of the “Marks & Spencer Ltd Penny Bazaars” of the early twentieth century. These were not the major retail stores of today, but sold a range of items such as sewing equipment, biscuits, and sheet music. M&S Penny Bazaars retained the policy used by Michael Marks in his original market stall in Leeds of selling almost everything for one penny, apart from a few luxury items. The open displays of items on tables and the “Admission Free” sign outside encouraged people to browse, a marked contrast with most shops at the time, in which customers had to ask the shopkeeper for goods stored behind the counter. In the late 1920s M&S first began selling food and clothing. Whereas many other retailers in the 1920s and early 1930s were struggling, M&S had built up such a large customer base, who loved its own-brand products, that the Company was able to undertake an ambitious programme of expansion. Larger premises were required in Chester and, for this reason, a new Marks & Spencer “superstore” was opened on 12th August 1932 following the closure of the Penny Bazaar. The new address was 22,24 & 26 Foregate Street and it comprised 10,350 square feet. On 1st July 1937, the store was extended. A further extension was opened on 23rd November 1953. The extension to the rear of the store increased the sales area to 10,600 square feet. On 21st November 1957 the rear was extended further giving the store a total area of 15,500 square feet. The main frontage measured 62 feet. In November 1962, stage I of an extensive building programme began with an extension to the rear of the store. This increased the store's selling space to 17,500 square feet. The front right of the store was extended not long after the rear extension, and opened on 6th December 1962 as part of the stage II building programme. The main frontage covered 86 feet while the total selling area increased to 18,200 square feet. On 13th March 1969, the rear was extended again to create 22,000 square feet of selling space. A first floor sales area opened on 26th September 1978. The total store area now measured 36,200 square feet (the ground floor and first floor comprised 22,000 and 14,200 square feet respectively). This new first floor was extended on 25th March 1985 to 17,500 square feet and the total area was now 39,500 square feet.'''



The "Union Hall" stood hereabouts on the south side of Foregate Street. It was erected in 1809, opened in July of that year, and contained sixty single and ten double shops, exclusive of an immense warehouse in the upper floor. It was built by local builder and iron-founder Thomas Lunt, who raised a subscription to fund it and was chiefly used for the sale of Manchester and Yorkshire cloths. It was quadrangular in shape, with three stories of lock up shops or store rooms. Having the appearance of an old inn yard, it was, if anything, more patronized than the other Commercial Halls, and continued to be closely associated with the horse fairs, held at its front entrance (see the painting by Louise Rayner below) In olden times it was customary to sound a bugle on the Northgate at the opening of the October fair, it was later moved to the Cattle Market in George Street, in 1884. Merchants paid further subscriptions to sell their wares, but were not allowed to sell eleswhere or at times other than the annual fairs. Similar arrangements existed for those who sold goods at the Commercial Hall on the north side of Foregate Street and at the Linen Hall - it was very much the last of the monopolies which the Chester guilds tried to preserve under their ancient Charters.

sources and links



 * Chester in the M&S archive;
 * The original M&S in Chester - very clever;
 * The "Union Hall" in Foregate Street - from the CAS Newsletter;

Number 32-42
There is comparatively little interesting historical architecture on the south side of Foregate Street in this section. However the more modern buildings, which include a 19th century terraced row, over three storeys, and with a decorative brick front and brick mask keystones on the middle floor are generally unobtrusive.

Number 44
Originally built as a town house over two storeys, it was completely rebuilt in a somewhat similar but more elaborate style by F. Davies in 1920. It has been a public house, "Ye Olde Royal Oak Hotel" (amonst others), and also been used as a shop. It is presently shop premises. The building is timber-framed with plaster panels, and has a slate roof. It is in three storeys, and has a front of three bays, with a gable over the lateral two bays.

In the ground floor is a modern shop front, although it retains the pargeted sign "Ye Olde Royal Oak Hotel". The top floor and the gable are jettied, with dates on the gables: "1601 AD: REBUILT 1920 AD". There are oriel windows in the left and middle bays, and casement windows in the right bay. The right bay was previously over an archway which gave access to the rear of the premises. Given the date of "1601" it is almost certain that this building was destroyed in the Civil War when the inhabitants of Chester removed any building outside the walls which could offer shelter to the enemy. The "Royal Oak" occupies the site which was previously occupied by "The Crow", known to have existed in 1580. Prior to the reformation and the dissolution of the monasteries, the land belonged to the Fraternety of St Anne's.


 * Ye Olde Royal Oak at ChesterWalls.Info (with photographs taken at various times);



Number 46-52
A stone-dressed brick terrace with regular sash windows (slighly smaller on the two wings) over modern shopfronts. According to documentary evidence this was the approximate site of a Civil War battery built in Foregate Street in 1645 by the Parliamentarians during their siege of Chester. Of the 10th December 1645 Randle Holmes gives the following desciption of a bombardment of the area around the Eastgate from a battery in Foregate street:


 * "..eleven huge grenados like so many tumbling demi-phaetons threaten the city, if not the world, on fire. This was a terrible night indeed, our houses like so many split vessels crash their supporters and burt themselvs in sunder through the very violence of these descending fire-brands. The Talbott, an house adjoining to the Eastgate, flames outright; our hands are busy quenching this, while the law of nature bids us leave and seek our own security. Being thus distracted another Thunder-crack invites our eye to the most miserable spectacle spite could possibly present us with - two houses in the Watergate skippe joynt from joynt, the main posts josell each other, while the frightened casements (windows) fly for fear. In a word the whole fabrick is a perfect chaos lively set forth in this metamorphosis. The grandmother and three children are struck stark dead in the ruins of this humble edifice, a sepulcher well worth the enemies remembrance..."

"Grenados" were metal containers filled with gun-powder and fired on a high arcing path from a mortar, such as the one surviving as "Roaring Meg". This had a 15.5 inch caliber barrel and fired a 100kg hollow ball filled with powder. It has been suggested that "Roaring Meg" was actually used in Chester, but no actual evidence for that appears to exist.



Number 54-60


A 1970's building with an arcade over the pavement and some attempt at boldness with the arrangement of brick and slate "towers" on the front - fortunately partly concealed by trees. It is possible to see the bedding of the original fine muddy sediment before it metamorphosed to slate. Given the colour and grain of the slate it posssibly originates from Blaenau Ffestiniog area located in the Ordovician deposits - c. 460 million years ago.

Prior to the 1970's this was the location of the "Swan Inn" (Chesterwalls has more on this) and the Art-Deco Classic Cinema (origunally the "Tatler" cinema - again with more on "Chesterwalls") designed by J. W. Barrow for Warrington architects William & Segar Owen.. During the excavations of the foundations of the cinema (1936) four Roman "Samian-Ware" vessels were discovered and these were, for a time, exhibited in the foyer of the cinema.

The Tatler was one of the few provincial newsreel cinemas but in 1957 it was taken over by the Classic chain and switched to feature films and pornography. It seated 530 and had a white-tiled neo-classical exterior. The cinema closed on 18 December 1970. The last seven day picture was Donald Sutherland in the (1970) cinematographic version of "M.A.S.H." (script).



sources and links

 * Virtual Stroll on the Tatler/Classic;
 * Virtual Stroll on the Swan;
 * Classic Chester on Cinema Treasures;

Number 62
Plain brick-faced terrace (late 19th C.) with modern tiled shopfront. Old photo's show a much more elegant stone shopfront.

Number 70
A small town house, now shop, probably of mid 17th century date (1633-1666) with later alterations. It is timber framed with plaster panels, a later brick wing to the rear and a roof of small grey slates. The building consists of a cellar and two storeys in one bay and has an arcade with stop-chamfered end posts and a round-cornered central post on sandstone bases. An early 20th century shopfront has cellar vents beneath a row of small framing. This building was something of a favorite for the artist Louise Rayner, who features it several times in her paintings.

Number 72


Another late 19th Century building with clean lines and a detailed pediment. The recent (2015) shop-front is a significant improvement on the previos shop-front.

The horse fair in Foregate Street was held hereabouts and was the last remaining of Chester's traditional fairs held in a street. Pressure from shopkeepers had forced livestock fairs off the streets and into specialised markets, and the development of wholesalers and retailers through the 19th century had made the cloth fair obsolete. Horse fairs continued in Foregate Street until about 1880 when it ceased due to pressure from the street's retailers, for whom it was highly disruptive for trade, and the tram drivers for whom the presence of numerous horses blocked the lines of the newly laid horse-drawn trams.



Number 76
The former "REGAL" cinema built by Associated British Cinemas Ltd in 1937 has an oppressive presence along Love Street, somewhat overshadowing the public realm. Its blank side elevation provides a negative view looking west from Forest Street. Nevertheless, it is rare example of an original cinema in Chester, with a strong Art Deco style and curving corner. The building relates well to Foregate Street in terms of its height and "restrained modernist" horizontal detailing.

sources and links

 * The ABC Regal at Cinema Trasures;
 * The ABC Regal at Virtual Stroll;
 * 2011;
 * one of the organists;
 * The Stones played there in a hectic schedule;

Love Street
Hemingway, writing in the 1830's, claimed that:


 * "the environs of Frodsham Street, Love Street, Steam Mill Street, Watergate Street, Northgate Street, Commonhall Street, Cuppin Street, Pepper Street, and Lower Bridge Street were all of inferior grade"

..or worse, while Handbridge as a whole was dismissed as "almost exclusively inhabited by the lower orders".



Number 78-94


Originally the Chester Cooperative Society department store, built 1904-5, by Douglas and Minshull. The success of the Chester Co-operative Society, founded in 1884, depended in part on the Co-operative Wholesale Society's ownership of factories producing goods for member societies and managed to prosper despite the generally depressed economy period between 1873 and the 1890s.

The building was extended eastwards in 1914 and converted in the 1980s to a range of separate shops. Built of stone-dressed brick and baroque in manner, the ground floor has Roman Doric bay columns of cream stone, altered shop-fronts and a blank fascia. The upper floor has broad display windows in decorated and arched openings. These display windows have stained, patterned leaded glazing above the transoms. Above the cornice and eaves are the attic windows, with timber surrounds in a quasi-Palladian style. On the corner of Love Street is a lead roofed cupola with a lantern.

As this was not in any of John Douglas's normal Vernacular Revival styles with many flourishes, the design "shocked" the City Council Improvement Committee ("CCIC"); the addition of the partial leaded glazing on the upper floor windows was the price paid for CCIC approval.

sources and links

 * on Wikipedia;

Number 156-158
A mid 18th century town house, the left bay and east side to Dee Lane rebuilt or refurbished in 1907 by W T Lockwood. It is constructed from brick with stone dressings and a slate roof.

Dee Lane
Roman pottery - C2nd - found 1953-4

North Side




Number 1 (Eastgate Buildings)


The present building was designed in 1928 as a purpose-built branch of "Burton's" menswear manufacturers and retailers by Harry Wilson. Wilson was the Scottish-born, but later Leeds-based architect to the Montague Burton tailoring chain in the 1920's and 1930's. Wilson favoured a cautious Art Deco style and the use of white faience, a ceramic material. Faience was used in the construction of the tomb of King Djoser (2630-2611 BC) at Saqqara, known as the Step Pyramid, was the first Egyptian pyramid tomb, and the earliest stone building of its size in the world. In Chester it was also used at "St Michael's Row" by the Lockwood's.

The post-card on the right shows the building after 1934 (the year when "Belisha Beacons" were introduced) and after WW2 it became clear that the desire for this type of shop was waning and they proved a relatively short-lived fashion.

Burtons was established in 1903, in Chesterfield by Montague Burton (he was born in Lithuania and originally named Meshe David Osinsky). Burton's originally traded under the name of The Cross-Tailoring Company. His firm made a quarter of the British military uniforms during World War II and a third of demobilisation clothing. The "demob suit" consited of a jacket, trousers, waistcoat, shirt and underwear. It has been speculated that this is the origin of the phrase "The Full Monty".

sources and links

 * Harry Wilson at the Dictionary of Scottish Architects;
 * Buildings approval;

Number 3
Between number 2 and number 5 is a narrow alleyway with the name "Old Post Office Yard".

Number 15 (Bank)
Bank, by Francis Jones (1921), originally for the Manchester and Liverpool District Bank Ltd. Extended 1964 by Saxon Smith and Partners and now occupied by the Royal Bank of Scotland. Steel frame clad in sandstone and timber frame with plaster panels; Westmorland green slate roof. A well-executed late example of the Vernacular Revival.

Frodsham Street
Previously "Warrington Street" and before that "Cow Lane".

Number 29-35


Late C19th galleried row, previously part of "Marks & Spencer". The columns on the shop fromt are Portland Stone - a limestone from the Tithonian stage of the Jurassic period (152-145 Million years ago) quarried on the Isle of Portland, Dorset. A characteristic gastropod fossil from this time is the "Portland Screw" - Aptyxiella portlandica - only encountered in the coquina  facies called "The Roach", and there is an excellent example of this circa 150 Million year-old fossil in one of the columns on the shop-front (see photo). There are some other bivalve fossils in the pillars as well.

Number 43
Like most of Foregate street there were building here which were demolished during the Civil War - in this case the "Saracen's Head" inn, originally built as a town house. The inn was succeded by the "Wettenhall Mansion", which was notable enough for it to be included on the Lavaux Map (1745). The land here had like much of Foregate Street also belonged to the Nuns of St Annes. The ""feoffees" who held the Saracen's Head apparently spent huge sums on repairs: compared with the annual rent of £2 13s and 4d (which does not seem to have changed from 1579 to 1634) in 1634 the occupier claimed to have spent £66 18d and 5d on repairs. An entry in 1638 records that the bailiff feofees went to Chester to survey the building and see:


 * "whether the wainscote, bedsteads, tables, formes, court-cupboards, shelves, grates, racks and mangers belonging to the house were to be had".

An inquisition held before the Bishop of Chester and others at Chester Castle in August 1630 heard that:


 * "..the house in Foregate Street now in the tenure of Peter Marshall is parcell of the lands purchased by Sir John Deane, clerk, & by him assigned unto feoffees in trust amongst other lands to & for the use of the free grammer schoole in Witton neere Northwich in the said county of Chester and hath bene commonly reputed & taken to be parte & parcell of the Sarazens Head & therewith by the said feoffees set, let, occupied & enioyed, & was parte of the dissolved monastery of St. Annes in Chester."



In fact there appear to have been at least three inquisitions during the seventeenth century into the matter of whether the Witton school actually had rights to the building. It appears that this was often the most valuable property that the school owned. It was eventually ordered that the rents, profits & issues of the house should be paid to Witton School (now known as Sir John Deane's College) in future and "nothing otherwise".

Gabriel Wettenhall (a barrister) secured a long lease on the site in 1728 (from the Witton Grammar School at £10 a year) and it is presumed that this was when he had the house(s) built. He did not enjoy his "mansion" for long as he died in 1735 and was succeeded by his son Nathaniel, who owned the property, and dwelt there, at the time of the Lavaux Map. Nathaniel died in 1778 with no surviving children and his widow Arabella lived on there until her own death in 1798 - all despite various attempts by the school to claim the lease should have expired early.



The adjacent plot was later the site of the "Old Nag's Head", and is now a shop ("Boots the Chemist") and ancillary accommodation. The building was rebuilt, approximately in its original "Nag's Head" form in 1914 for Peter Walker and Sons Brewery and continued in use as a public house until the 1970's, having been by that time passed to Ind Coope (1965). It was restored and converted to part of the shop premises in around 1980. The tie-beam to left gable is inscribed "BUILT 1597 AD"; the right gable tiebeam is inscribed "REBUILT 1914 AD". In 1788 the then owner went bankrupt, and the following advert appeared in "Adams’s Weekly Courant":


 * "To be sold by Auction, By order of the Assignees of Aaron Miller, a Bankrupt, at the Nag’s-head Inn, in the City of Chester, on Monday the 7th Day of January, 1788, at six o’Clock in the Evening, subject to such Conditions as shall be produced. ALL that well-known and accustomed INN, called The Nag’s-head, situate on the North Side of Foregate-street, in the said City, with the Brewhouse, Stables, and Appurtenances thereunto belonging; now in the Occupation of John Hammond"

In "Lectures on the History of S.John Baptist Church and Parish" it is recoreded that in 1877 "The Old Nags Head in Foregate St. was changed by the Duke of Westminster from a Public House to a Cocoa House." However the author seems to have his Nag's Head's mixed up as the Nag's Head in question would appear to have been the "Little Nag's Head" which was on the opposite side of the street.

On the ground floor the end-posts and post between each opening survive and have Ionic reverse-taper pilasters and rather impressive and well-preserved "hermae" (human heads that continues as a square tapering pillar-like form) with varied expressions, carrying corbels. There is a polished gneiss (English Heritage says granite) plinth, carried up beneath each post. The jettied first floor has quadrant-braced small-framing, a central mullioned and transomed three-light casement and a canted five-light mullioned and transomed oriel on three ornate consoles to each side. The second floor has a central two-light casement above two arch-braced panels and herringbone struts in jettied gable on two hermae, to each side.

sources and links

 * Nags Head on "The Vanished Pubs of Chester";
 * A History of Sir John Deane's Grammar School, Northwich, 1557-1908;



Number 51-57
A modern brick-built building with two floors and an arcade over the street. The brickwork is decorative and the eaves are tile-hung (see photo left). This replaced an earlier 1960's block on the same site.

Number 59


The former "Brewers Arms" became the "Green Dragon". The Greenall & Whitley Brewery logo, the date (1920) and a bas-relief of two dragons flanking a shield carved in stone still exist on the frontage (on the side of the adjacent building). The building seen today dates, apart from the modern shopfront, from the 1920 rebuild (there is a conspicuous date-stone) which remodelled a building which was already over four floors. with a part jetied frontage forming an arcade. The earlier Brewers Arms also had the arcade but was only on two floors and the arcade featured a "cabin" which was later removed. The arcade dissappeared completely in the 1920 rebuild.

sources and links

 * The Green Dragon on Vanished Pubs of Chester;

Number 63
This building dates from the 19th Century and is in flemish-bond brick with a part stone-dressed arcade over the footpath. The piers of the arcade are part brick and part sandstone. The first floor of one bay has a three-part window with a central oriel. The second bay is simpler in contruction with brick arched sash windows rather than the stone lintels of the first bay.

Number 69
Possible pottery kiln identified in the area of Foregate Street, Chester. No insitu kiln remains have, as yet, been recorded but probable pottery wasters have been recovered. Pottery forms include drinking vessels in hard, gritty fabrics. Production took place sometime between the mid 14th century and the 16th century

Number 71


This building is a shop on the ground floor and a Masonic Lodge above. This stone dressed, Flemish bond brick structure dates from the early 18th Century and the frontage to Queen street was re-done in 1883. There is a three bay arcade to Foregate street. Inside, the first floor is a dining room with a lodge meeting room above it on the second floor.

The University Lodge of Chester was formed from Temple Lodge Number 4477 in March 2011. Temple Lodge was founded on the 12th of February 1923 at the Masonic Hall, Oliver Street, Birkenhead as the Daughter Lodge of Baron Egerton Lodge No. 3513. In April 2011 the request to change the name from Temple Lodge to the "University Lodge of Chester No. 4477" was granted. The plan was to form a Lodge, in the university city of Chester, to become part of the Universities Scheme of the United Grand Lodge of England.

Number 73
A moden brick building replacing what (from old postcards and paintings) appears to have been a suubstantial half-timbered structure.

The Alleyway between numbers 73 and 75 has the name of "Masonic Place", presumably after the nearby Masonic Lodge at 71 / 2 Queen Street.

Number 75
Originally a small town house, later restored and used as a shop. It is dated from the 17th Century but was much restored in the 19th Century. Early paintings by Louise Rayner and Henry Charles Woollett show this building faced in bare brick rather than half-timbered. It is timber-framed with plaster panels and brick at the rear, and has a tiled roof. The building is in two storeys, and has a two-bay front. The ground floor contains a 20th Century shop front, and the upper floor projects over the pavement, forming an arcade and carried on two posts each with a sandstone base. In the upper floor is a five-light mullioned casement window flanked by Ionic pilasters. The panels are decorated with the fleurs-de-lys. The right side has herringbone braced small framing and a 2-light leaded casement (also shown by Rayner). The gable is jettied with bargeboards and a finial.

Number 77
A small town house, probably early 17th Cent., later used as a shop and storage. Has some 20th Cent alteration. It is timber-framed with plaster panels and has a red clay-lted tiled roof. It is in two storeys, and has a single-bay front. In the ground floor is a shop front, probably 19th Century. The upper storey is slightly jettied, with a middle rail and contains a three-light casement window. Above this is a coved jetty. Rayner shows this as being a timber frame building in paintings dated 1869-89.

Number 79




The "White Lion" was an unlucky casualty of WW2 having been stuck by a bomb and partly destroyed. The exact type of bomb is not recorded, but it was possibly an incendiary as the buildings to either side show little damage when pre-war and modern photographs are compared. Just three people were killed by bombing raids in Chester during the Second World War, including a fireman named Cyril Dutton and a housewife called Elizabeth Moore who was killed at home on Kitchen Street. Throughout the war there were 232 alerts: 44 high-explosive bombs and three incendiaries were dropped on the city.

sources and links

 * The White Lion on Vanished Pubs Of Chester;

The "Old Queen's Head"
This "half-timbered" building has the dates 1508 and 1939 on the frontage.

One could ask: which Queen? - in 1508 there was no queen (Elizabeth of York having died in 1503 - but not before she became the prototype for the "Queen of Hearts ("Judith")" in a pack of cards). Indeed, the modern pub sign shows the queen to be wearing a "cross crosslet" similar to that worn by Elizabeth I in a portrait from 1546 (before she became queen). Moreover, it is also possible that the modern name of the pub was not adopted until recently, as the pub is not marked on John McGahey's comprehensive survey of 1853. According to some folklore, the "queen ... in the parlour" in the children's nursery rhyme "Sing a Song of Sixpence" is Elizabeth of York, while her husband is the king (Henry Tudor - who had a reputation for miserliness) counting his money. There are however other versions of the origins of the rhyme.

Number 103
This smallish shop was the original home of Marks & Spencer in Chester. The building itself has been much restored and altered but retains a prominent set of stone arches which once formed an arcade. However, these do not support anything anymore other than a small amount of brickwork.

Number 113
Shop and accommodation, built in 1890 and designed by John Douglas for the first Duke of Westminster. This building forms part of a single design with No.115 Parker's Buildings (see below) and No.117 (see below) Foregate Street. The design is executed in stone-dressed Ruabon brick with a red clay tile roof. The wrought iron sign bracket is dated 1890. The windows of the upper floors have ornate sandstone cases. The building has a shaped gable in "Queen Anne" style with a stone band, blue brick diapering, and stone volutes.

Parker's Buildings
The gates to Parker's Buildings, were, like the buildings themselves designed by the firm of Douglas & Fordham. The gates feature a "W", for "Westminster", as the central element of Parker's Buildings was a block of thirty flats intended for occupation by the 1st Duke of Westminster's employees upon retirement from work at the Eaton Hall estate. The buildings themselves are in common brick with Ruabon brick dressing and some blue-brick decorative diapering. The end towards Foregate Street has a stair which is contained within the building but open to the elements. Over the entrance is a stone panel inscribed "AN'O D'NI: PARKER'S BUILDINGS: 1889". The sides have similar open stairs.



Parker's buildings were constructed in 1888–89. The building work was supervised by the Duke's nephew and agent, Cecil Parker, and the finished building named after him. Douglas' relationship with Parker was not harmonious, and they frequently clashed over the design details. It is believed that the regimented and rather severe block which eventually emerged was the result of Parker's interventions as Douglas normally exhibits much less stark lines and more individuality to the various parts of his designs. When the block of flats was completed, Parker still took the opportunity to have another dig at Douglas as he complained about "poor materials and workmanship". In May 2007 some new signage was put up on Foregate Street to inform passers-by about the buildings and unfortunately the images of Douglas and Parker were interchanged, so that each has the other's name under his image. Given that the pair did not get on, both would have probably been mortified, if they were around to see it.



Douglas based his design on flats being built for the working-class in London and Douglas (after arrangements had been made for the trip by Parker, with the secretary of the "Improved Industrial Dwellings Company") went to London to study the "Stalbridge Buildings" in London - being built on land belonging to the Grosvenors. The building was refurbished in 1982 by S. J. Lomas for the Northern Counties Housing Association.

sources and links

 * Parkers Buildings on Wikipedia;

Sources and Links

 * Foregate Street on "Chester Memories";
 * Building Chester Philip Jones' compendious history of Chester architechture;